{"id":272,"date":"2021-04-25T19:04:35","date_gmt":"2021-04-26T00:04:35","guid":{"rendered":"https:\/\/www.early1900s.org\/notes\/?p=272"},"modified":"2021-04-25T19:05:30","modified_gmt":"2021-04-26T00:05:30","slug":"bessie-smith-1929","status":"publish","type":"post","link":"https:\/\/www.early1900s.org\/notes\/2021\/04\/25\/bessie-smith-1929\/","title":{"rendered":"Bessie Smith &#8211; 1929"},"content":{"rendered":"<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-273\" src=\"https:\/\/www.early1900s.org\/notes\/wp-content\/uploads\/2021\/04\/Columbia14464D.jpg\" alt=\"\" width=\"615\" height=\"601\" srcset=\"https:\/\/www.early1900s.org\/notes\/wp-content\/uploads\/2021\/04\/Columbia14464D.jpg 615w, https:\/\/www.early1900s.org\/notes\/wp-content\/uploads\/2021\/04\/Columbia14464D-300x293.jpg 300w\" sizes=\"auto, (max-width: 615px) 100vw, 615px\" \/><\/p>\n<p>&#8220;He&#8217;s Got Me Goin'&#8221;<br \/>\nBessie Smith, vocal; James P. Johnson, piano<br \/>\nAugust 20, 1929\u00a0 (Columbia 14464-D mx 148902)<\/p>\n<audio class=\"wp-audio-shortcode\" id=\"audio-272-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/www.early1900s.org\/notes\/wp-content\/uploads\/2021\/04\/Columbia14464D.mp3?_=1\" \/><a href=\"https:\/\/www.early1900s.org\/notes\/wp-content\/uploads\/2021\/04\/Columbia14464D.mp3\">https:\/\/www.early1900s.org\/notes\/wp-content\/uploads\/2021\/04\/Columbia14464D.mp3<\/a><\/audio>\n<p>&nbsp;<\/p>\n<p>This recording brings together two musical giants of the 1920s.\u00a0 Bessie Smith was the era&#8217;s most popular and influential female blues singer.\u00a0 \u00a0James P. Johnson was the one of the originators of the stride piano style and had a major influence on artists such as Duke Ellington and Fats Waller.\u00a0 He was also the composer of the song that is most frequently associated with the 1920s, &#8220;The Charleston.&#8221;<\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\">\n","protected":false},"excerpt":{"rendered":"<p>&#8220;He&#8217;s Got Me Goin&#8217;&#8221; Bessie Smith, vocal; James P. Johnson, piano August 20, 1929\u00a0 (Columbia 14464-D mx 148902) &nbsp; This recording brings together two musical giants of the 1920s.\u00a0 Bessie Smith was the era&#8217;s most popular and influential female blues &hellip; <a href=\"https:\/\/www.early1900s.org\/notes\/2021\/04\/25\/bessie-smith-1929\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"iawp_total_views":20,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-272","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/www.early1900s.org\/notes\/wp-json\/wp\/v2\/posts\/272","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.early1900s.org\/notes\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.early1900s.org\/notes\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.early1900s.org\/notes\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.early1900s.org\/notes\/wp-json\/wp\/v2\/comments?post=272"}],"version-history":[{"count":3,"href":"https:\/\/www.early1900s.org\/notes\/wp-json\/wp\/v2\/posts\/272\/revisions"}],"predecessor-version":[{"id":277,"href":"https:\/\/www.early1900s.org\/notes\/wp-json\/wp\/v2\/posts\/272\/revisions\/277"}],"wp:attachment":[{"href":"https:\/\/www.early1900s.org\/notes\/wp-json\/wp\/v2\/media?parent=272"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.early1900s.org\/notes\/wp-json\/wp\/v2\/categories?post=272"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.early1900s.org\/notes\/wp-json\/wp\/v2\/tags?post=272"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}