{"id":2407,"date":"2026-08-13T14:32:50","date_gmt":"2026-08-13T19:32:50","guid":{"rendered":"https:\/\/www.early1900s.org\/notes\/?p=2407"},"modified":"2026-08-13T14:40:51","modified_gmt":"2026-08-13T19:40:51","slug":"six-black-diamonds-1925","status":"publish","type":"post","link":"https:\/\/www.early1900s.org\/notes\/2026\/08\/13\/six-black-diamonds-1925\/","title":{"rendered":"Six Black Diamonds &#8211; 1925"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.early1900s.org\/notes\/wp-content\/uploads\/2026\/08\/CharlestonRegal1925.jpg\" alt=\"\" width=\"1080\" height=\"1350\" class=\"aligncenter size-full wp-image-2408\" srcset=\"https:\/\/www.early1900s.org\/notes\/wp-content\/uploads\/2026\/08\/CharlestonRegal1925.jpg 1080w, https:\/\/www.early1900s.org\/notes\/wp-content\/uploads\/2026\/08\/CharlestonRegal1925-240x300.jpg 240w, https:\/\/www.early1900s.org\/notes\/wp-content\/uploads\/2026\/08\/CharlestonRegal1925-819x1024.jpg 819w, https:\/\/www.early1900s.org\/notes\/wp-content\/uploads\/2026\/08\/CharlestonRegal1925-768x960.jpg 768w\" sizes=\"auto, (max-width: 1080px) 100vw, 1080px\" \/><\/p>\n<p>&nbsp;<\/p>\n<table>\n<tbody>\n<tr style=\"height: 31px;\">\n<td style=\"background-color: #f2ebeb; padding-left: 40px; height: 31px; width: 628px;\"><strong>&#8220;Charleston&#8221;<\/strong><br \/>\n<strong>Six Black Diamonds<\/strong><br \/>\nMay 14, 1925\u00a0 (Regal 9835 A mx 6014)<br \/>\n<audio class=\"wp-audio-shortcode\" id=\"audio-2407-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/www.early1900s.org\/notes\/wp-content\/uploads\/2026\/08\/Six-Black-Diamonds-Charleston.mp3?_=1\" \/><a href=\"https:\/\/www.early1900s.org\/notes\/wp-content\/uploads\/2026\/08\/Six-Black-Diamonds-Charleston.mp3\">https:\/\/www.early1900s.org\/notes\/wp-content\/uploads\/2026\/08\/Six-Black-Diamonds-Charleston.mp3<\/a><\/audio><\/td>\n<\/tr>\n<tr style=\"height: 13px;\">\n<td style=\"height: 13px; width: 628px;\"><span style=\"font-size: 12px;\"><\/span><\/td>\n<\/tr>\n<tr style=\"height: 31px;\">\n<td style=\"background-color: #f2ebeb; padding-left: 40px; height: 31px; width: 628px;\"><strong>\u201cSweet Georgia Brown\u201d<\/strong><br \/>\n<strong>Six Black Diamonds<\/strong><br \/>\ncirca May 1925\u00a0 (Regal 9835 A mx 6015)<br \/>\n<audio class=\"wp-audio-shortcode\" id=\"audio-2407-2\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/www.early1900s.org\/notes\/wp-content\/uploads\/2026\/08\/Six-Black-Diamonds-Sweet-Georgia-Brown.mp3?_=2\" \/><a href=\"https:\/\/www.early1900s.org\/notes\/wp-content\/uploads\/2026\/08\/Six-Black-Diamonds-Sweet-Georgia-Brown.mp3\">https:\/\/www.early1900s.org\/notes\/wp-content\/uploads\/2026\/08\/Six-Black-Diamonds-Sweet-Georgia-Brown.mp3<\/a><\/audio><\/td>\n<\/tr>\n<tr style=\"height: 13px;\">\n<td style=\"height: 13px; width: 628px;\"><span style=\"font-size: 12px;\"><\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>From the <a href=\"https:\/\/www.early1900s.org\/notes\/2024\/01\/10\/update-edward-mitchell-78-rpm-collection\/\">Edward Mitchell<\/a> collection, here are recordings featuring &#8220;hot&#8221; arrangements of two iconic 1920s songs that are still familiar to modern audiences.<\/p>\n<p>&#8220;Charleston&#8221; was composed in 1923 by <a href=\"https:\/\/en.wikipedia.org\/wiki\/James_P._Johnson\" target=\"_blank\" rel=\"noopener\">James P Johnson<\/a> and featured lyrics (though rarely heard in most recorded versions) by\u00a0<a href=\"https:\/\/en.wikipedia.org\/wiki\/Cecil_Mack\" target=\"_blank\" rel=\"noopener\">Cecil Mack<\/a> for the all-black cast Broadway musical comedy <a href=\"https:\/\/www.ibdb.com\/broadway-production\/runnin-wild-9308\" target=\"_blank\" rel=\"noopener\"><em>Runnin&#8217; Wild<\/em><\/a>. The song inspired the <a href=\"https:\/\/en.wikipedia.org\/wiki\/Charleston_(dance)\" target=\"_blank\" rel=\"noopener\">dance<\/a> and subsequent dance craze of the same name and remains closely associated with the culture and spirit of the 1920s in the popular imagination.\u00a0This will be the eighth version of the song to be added to Radio Dismuke&#8217;s playlist.<\/p>\n<p>&#8220;Sweet Georgia Brown&#8221; was composed by bandleader <a href=\"https:\/\/en.wikipedia.org\/wiki\/Ben_Bernie\" target=\"_blank\" rel=\"noopener\">Ben Bernie<\/a> and\u00a0<a href=\"https:\/\/en.wikipedia.org\/wiki\/Maceo_Pinkard\" target=\"_blank\" rel=\"noopener\">Maceo Pinkard<\/a><a href=\"https:\/\/en.wikipedia.org\/wiki\/Ben_Bernie\" target=\"_blank\" rel=\"noopener\"><\/a> with lyrics by <a href=\"https:\/\/en.wikipedia.org\/wiki\/Kenneth_Casey\" target=\"_blank\" rel=\"noopener\">Kenneth Casey<\/a>.\u00a0 Bernie&#8217;s own Hotel Roosevelt Orchestra was the first of many to record the song, and the record was a big seller.\u00a0 Since 1952, the song has been well-known as the theme song of the <a href=\"https:\/\/en.wikipedia.org\/wiki\/Harlem_Globetrotters\" target=\"_blank\" rel=\"noopener\">Harlem Globetrotters<\/a>.<\/p>\n<p>By May 1925, Victor and Columbia were already making recordings with microphones, and Brunswick was using its own alternative version of electrical recording.\u00a0 \u00a0However, records on smaller labels, such as the ones these recordings were issued on, were still made using acoustical recording horns.<\/p>\n<p>The Six Black Diamonds was a recording pseudonym used for a variety of bands on a multitude of mid- to low-priced labels produced by the Regal Record Company and distributed by the Plaza Music Company.\u00a0 Regal\/Plaza also supplemented its revenues by leasing its masters to other record manufacturers.<\/p>\n<p>As was typical of Regal\/Plaza recordings, both of those featured here were issued under a dizzying assortment of pseudonyms on multiple labels.<\/p>\n<p>In addition to the copy here on Regal 9835,\u00a0 this recording of &#8220;Charleston&#8221; was also issued as the Six Black Diamonds on Banner 1540.\u00a0 On Domino 3510, it was credited to the Six Black Dominos.\u00a0 On Oriole 413, sold through the McCrory dime store chain, it was credited to the Dixie Jazz Band.\u00a0 \u00a0On the mail-order National Music Lovers label, it was credited to the Manhattan Musicians.\u00a0 And on the Sears Roebuck Co. in-house label Silvertone, it was credited as Lanin&#8217;s Roseland Orchestra, which was the name of an actual band, but that does not necessarily mean that it was the band appearing on the record.<\/p>\n<p>It also appeared on Perfect 14432, credited to the Blues Chasers.\u00a0 \u00a0Perfect was the lower-priced subsidiary of the Pathe label.\u00a0 Pathe was a completely separate company from Regal\/Plaza and had its own recording facilities.\u00a0 But the company would sometimes supplement its offerings by leasing masters from other labels.<\/p>\n<p>I was not able to find any consensus as to whose band made the recording.\u00a0 One source provides contradictory information depending on which label the identical recording was issued on, while the <a href=\"https:\/\/adp.library.ucsb.edu\/index.php\" target=\"_blank\" rel=\"noopener\">Discography of American Historical Recordings<\/a> (DAHR) credits it to Regal\/Plaza&#8217;s in-house studio band.<\/p>\n<p>The recording of &#8220;Sweet Georgia Brown&#8221; did not appear on as many labels. DAHR credits it as being by <a href=\"https:\/\/yestercenturypop.com\/2024\/04\/19\/music-life-love-jack-stillmans-song\/\" target=\"_blank\" rel=\"noopener\">Jack Stillman&#8217;s<\/a> Orchestra, the name also used on its Bell label pressing, which featured a completely different song on its flip side.\u00a0 On Regal, Banner, and Oriole, it had &#8220;Charleston&#8221; on the flip side and used the same pseudonyms mentioned above.\u00a0 It was also issued on Silvertone 2490, but I have not been able to locate the pseudonym used on that issue.<\/p>\n<p>My personal guess is that, given that the two recordings have consecutive matrix numbers, there is a decent possibility that they were made during the same recording session, which would suggest that they were both made by the same band.<\/p>\n<p>The good news for collectors seeking their own copy of these recordings is that their issuance on so many labels increases one&#8217;s chances of eventually finding one. The bad news is that if a collector already has a copy and stumbles across a record of the same song by a different band, they may not realize that it is merely another copy of what they already have.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; &#8220;Charleston&#8221; Six Black Diamonds May 14, 1925\u00a0 (Regal 9835 A mx 6014) \u201cSweet Georgia Brown\u201d Six Black Diamonds circa May 1925\u00a0 (Regal 9835 A mx 6015) From the Edward Mitchell collection, here are recordings featuring &#8220;hot&#8221; arrangements of two &hellip; <a href=\"https:\/\/www.early1900s.org\/notes\/2026\/08\/13\/six-black-diamonds-1925\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"iawp_total_views":218,"footnotes":""},"categories":[1],"tags":[97,113,114],"class_list":["post-2407","post","type-post","status-publish","format-standard","hentry","category-uncategorized","tag-1920s-recordings","tag-1920sa","tag-six-black-diamonds"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.1 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Six Black Diamonds - 1925 - Musical Notes<\/title>\n<meta name=\"description\" content=\"New York, 1925 - Two &quot;hot&quot; 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